there's a great rumbling notion
that tumbles the ocean
like the waves - only stronger -
like what pushes those
it's inside my purpose
and it makes me nervous
- in a good way -
a way that I think I chose
it's this notion that brings me
to ponder the question
- what makes us all
so incredibly close -
why is it that in a pinch
we belong here
carried by currents
we follow by nose
and that infinite, inconspicuous
wind that still grows.
Saturday, May 2, 2009
splendor and orange dirt
drink up, merry men
for, in days, we're on the march
again to the blue
we'll bring home riches
in all intangible forms
invisible wounds
our eyes will be spoil'd
before splendor and orange dirt,
our feet well ignored
drink it up now, men
slake the thirst, douse the rumbling
that has you unquiet
and once you've arrived
you'll be happy to know that
you won't again thirst
for, in days, we're on the march
again to the blue
we'll bring home riches
in all intangible forms
invisible wounds
our eyes will be spoil'd
before splendor and orange dirt,
our feet well ignored
drink it up now, men
slake the thirst, douse the rumbling
that has you unquiet
and once you've arrived
you'll be happy to know that
you won't again thirst
and lead me to it.
words spring from your mind
super-conscious, sub-ether
tied to what you know
what is it you say
without saying it at all?
tell me a story.
give me a fable
like you do everyday
and lead me to it.
super-conscious, sub-ether
tied to what you know
what is it you say
without saying it at all?
tell me a story.
give me a fable
like you do everyday
and lead me to it.
Thursday, April 9, 2009
What to write that says
'I'm really mad'?
I've given you stake
and you have what I had
you've an in on my insides--
what makes me concerned
that thing made by emotions
not by what I've learned
it's a tough one, to know
that your doings show
you're but a talker
you say against words
that you want to connect
perhaps you've just never learned
how to respect
others, or by turns,
yourself.
sometimes I think you have made it
but then
you stick yourself back
in the same place, again.
And you know - without getting!
that you've made up your mind
it's perplexing; you're so friend-ly
without being truly kind
there's something about you,
that I really do find
could be worth it
but you've yet to intend
so there's nothing to do on my end
but ride through
meld up some steel
and diminish the part you
play.
I've given you stake
and you have what I had
you've an in on my insides--
what makes me concerned
that thing made by emotions
not by what I've learned
it's a tough one, to know
that your doings show
you're but a talker
you say against words
that you want to connect
perhaps you've just never learned
how to respect
others, or by turns,
yourself.
sometimes I think you have made it
but then
you stick yourself back
in the same place, again.
And you know - without getting!
that you've made up your mind
it's perplexing; you're so friend-ly
without being truly kind
there's something about you,
that I really do find
could be worth it
but you've yet to intend
so there's nothing to do on my end
but ride through
meld up some steel
and diminish the part you
play.
on my sort of walk
there's stride, and it's strong
a spur at my heel, so that, before long
I've passed where I headed
and must find it's not wrong
to add a new line to my vintage'd song
there's stride, and it's made
by a push to push on
via paths not yet laid
by a lust not yet gone
for a string of good lands and
treat after treat for my eyes and my hands
and a lust by my heart
to know what it deserves,
more than hills and terrain and bends upon curves
beyond where I headed before, as I walk,
I know what lay before it all,
what happened first,
that I was, I was.
and with that, I stride on
my foot to the road and my ear to a song.
a spur at my heel, so that, before long
I've passed where I headed
and must find it's not wrong
to add a new line to my vintage'd song
there's stride, and it's made
by a push to push on
via paths not yet laid
by a lust not yet gone
for a string of good lands and
treat after treat for my eyes and my hands
and a lust by my heart
to know what it deserves,
more than hills and terrain and bends upon curves
beyond where I headed before, as I walk,
I know what lay before it all,
what happened first,
that I was, I was.
and with that, I stride on
my foot to the road and my ear to a song.
Tuesday, April 7, 2009
the pigeons
It is twilight, and I pedal my bike toward the back of my apartment building, through the alley like I usually do. Mostly it's quiet back there, except for the occasional pigeon hooing. But as I slow my bike near the gate, an echoed voice makes me look up.
Framed by the open window on the second floor, there is a dark-haired woman. She is standing a few feet away from the window, and smiling at something. Her face is made brighter more by her smile than by the incandescence of the bulb-lit room she stands in. And the woman isn't only smiling, she's talking. And more than that, she seems excited. I cannot hear what she is saying, but I can hear her voice rise and fall. And I can see her animate her words with her arms. I cannot see who the woman is talking to, but I get the impression she has an audience of more than one.
But the nice part is, when I pull my eyes back from the dark-haired woman, I see flowers. Bunches and bunches of purple and blue flowers. It looks like the room is full of them, and they are tied and standing upright in clear vases.
I think I know what the bunches of flowers are for. I think I know why the dark-haired woman is smiling, and why her voice raises and lowers so much.
It really is a pleasant sight, seeing her framed that way by the flowers and the window.
Framed by the open window on the second floor, there is a dark-haired woman. She is standing a few feet away from the window, and smiling at something. Her face is made brighter more by her smile than by the incandescence of the bulb-lit room she stands in. And the woman isn't only smiling, she's talking. And more than that, she seems excited. I cannot hear what she is saying, but I can hear her voice rise and fall. And I can see her animate her words with her arms. I cannot see who the woman is talking to, but I get the impression she has an audience of more than one.
But the nice part is, when I pull my eyes back from the dark-haired woman, I see flowers. Bunches and bunches of purple and blue flowers. It looks like the room is full of them, and they are tied and standing upright in clear vases.
I think I know what the bunches of flowers are for. I think I know why the dark-haired woman is smiling, and why her voice raises and lowers so much.
It really is a pleasant sight, seeing her framed that way by the flowers and the window.
Wednesday, April 1, 2009
it'll come
are you ever so awake
that things are bigger than the sky
and the sky is relatively dense,
made of more than blue,
and utterly far away
and there isn't anything to do but wait
until the sky comes to you
when it rains?
that things are bigger than the sky
and the sky is relatively dense,
made of more than blue,
and utterly far away
and there isn't anything to do but wait
until the sky comes to you
when it rains?
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